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Presentations
By Session Title
Opening
Plenary: Archives and the Digital Future
This year's
iteration of the future of AMIA focuses on the massive paradigm
shift that has occurred in the field of moving image archiving
from the analog to the digital. How does our work and thinking
change when we are no longer dealing with a culture of objects,
but rather with a culture of electronic bytes? How do archival
values, such as provenance and uniqueness change, when we enter
the realm of the digital? hat challenges do we have when confronted
with internet archives that only exist on servers in cyberspace?
Panelists will discuss these and other questions with the audience.
Presentation:
Brewster Kahle, Internet Archive
PowerPoint is here

The
Audiovisual Self-Assessment Program Project
at the University of Illinois
The University
of Illinois has designed the Audiovisual Self-Assessment Program (AvSAP)
to help collections managers in archives, libraries, and museums learn
about audiovisual preservation and create prioritized preservation
plans for their audiovisual objects. Join the Project Coordinator
of the AvSAP as he describes the program and the IMLS-funded project
that created it. This session is targeted at collections managers
and other professionals with any level of audiovisual preservation
experience.
Presentation:
Jimi Jones, University Of Illinois
PowerPoint
is here

Caught
in the Web of Access
This panel offers
approaches to increase accessibility by enhancing your web presence.
Speakers will discuss the benefits and challenges of launching online
catalogs, remodeling web sites, and utilizing cost-effective Web 2.0
applications such as YouTube, Wikipedia, Second Life, etc. They will
also share how these methods have extended the reach of their collections.
This session addresses the need for moving image archives to evolve
with the current technological trends that shape how users access
information.
Presentation:
Nadia Ghasedi, Washington University
PowerPoint slides
here

Content
Storage Management versus HSM in A/V Archiving
Hierarchical
Storage Management (HSM) tools lower the cost of A/V storage by
moving files between expensive disk arrays and less expensive data
tapes. But HSM technology's market is not A/V, it's general purpose
data, and it's not a natural fit for media. 10 years ago the storage
manufacturing community invented a new approach called Content Storage
Management (CSM), quickly adopted by virtually all broadcasters.
This SMPTE-style presentation compares HSM and CSM, and outlines
CSM's value proposition in an A/V archive infrastructure.
Presentation:
Josef Marc, Front Porch Digital
PowerPoint is here
.... | ....
Notes are here
(pdf)
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Digitizing
201: Video Digitization Workflows and Challenges
Following last
year's "Digitizing101", we will review the planning process
for a video digitization project; examination of exceptions; customization
of the process to the source material, and quality control. The
session will examine case studies for working with damaged or 'not-to-spec'
materials, address documentation practices for preservation workflow,
and stress how to conduct quality control. Actual situations are
used in covering strategies for video digitization - (identification
of format, warning signs to look for before playback, determining
the length and more.) We will cover how to deal with tapes that
do not play back and what you need to think about when playing back
damaged tapes; how to determine correct playback settings for tapes
with no color bars; preservation strategies for digital media on
tapes or discs (DVCam and Compact Disc), with attention to how to
design a high-efficiency workflow and perform quality control on
the digital results.
Presentation:
Angelo Sacerdote, Bay Area Video Coalition
Presentation
is here (pdf)
Presentation:
Skip Elsheimer, A/V Geeks LLC
Presentation
is here (pdf)

Evolving Content: Workflow, Technology, Audience
and Sustainability in WGBH Digital Projects
Heeding the
call of users worldwide, archives are continually thinking of new
and interesting ways to expose content. This session will present
two current projects that are substantially changing access to materials
from the WGBH Media Library and Archives. By showcasing the work
of the Mellon and Vietnam projects, we present a glimpse into how
media libraries can serve multiple audiences with the same content
and technology. In addition, we'll present a report on sustainability.
WGBH OpenVault is a model for access to archival media materials.
Working across projects and funding streams, sharing workflow and
technological innovations, we are furthering the goals of the archive
as a whole. The session will end with a discussion of what OpenVault
2.0 might be. What functionality, such as social tagging, is appropriate
to apply to the next version. What are the design challenges inherent
in presenting the same information to different audiences.
Presentation:
Courtney Michael, WGBH Media Library and Archives
......................Karen
Carian, WGBH Media Library and Archives
......................Karen Colbron,
WGBH Media Library and Archives
......................Chris Beer,
WGBH Interactive
Presentation
is here (pdf)

The
Problem of Open Media
The term 'Open
Media' has gained currency with the explosion of online archives.
Some media collections are open for people to download, share, mashup,
and reuse. Others seek to prevent their works from being copied.
To the extent that there is an "open media community,"
it envisions a large and active public media commons, providing
global access to historical, cultural, and other materials relevant,
and in many cases vital, to the public interest. Meanwhile, copyright
and intellectual property laws add layers of confusion and conflicting
interests, while new technologies make controlling and monetizing
media problematic for all concerned. How might we solve the problem
of open media? This session will address some of the obstacles and
opportunities, and suggest new business models that allow content
to breathe freely while still paying the rent. We'll also discuss
the role of the archivist as key to an open media future.
Presentation:
Suzanne M. Fischer - The Henry Ford
Slideshare
is here

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