As post-production specialists, our digital restoration systems are designed for our artists to have the flexibility to remove heavy-duty dust, dirt, scratches, stains, blotches, sparkle, flicker, grain, noise, and image instability, as well as severe frame and splice damage. We accurately remove only the unwanted elements of an image without disturbing undamaged areas. The result is that your final master will maintain as much detail as possible.

Our colorist's goal is to consistently maintain the filmmaker's originally intended "look" of the film. The color is restored using digital color tools that allow for the colorist to work with faded positive or negative film, or improperly timed prints. Individual colors can be isolated and manipulated to restore the film's color palette.

So whether you require digital restoration for your motion picture archives or have damaged negative from your commercial shoot that requires restoration of your selects. Or if you have an existing master that requires re-purposing for broadcast, DVD release or cinema, you will find that at I^3 we have the talent and tools available for efficient and effective digital restoration in all resolutions up to 4k.

Our latest goal is to be a research and development house in regard to creating new technologies in the restoration and preservation fields.

But don't take our word for it ... see for yourself.

I^3
401 East Illinois Avenue, #330
Chicago, IL 60611
312.645.0303
fax.312.645.0373
email.interprod1@aol.com
www.i-cubed-fx.com